The Amazing Spider-Man (2012)

Based on the comic book by Stan Lee and Steve Ditko, this film is perhaps one of the best adaptations of Spider-Man to be released thus far. I appreciate that for the uninitiated, there seem to be far too many reboots of the character and the story, but most of these are due to the film rights being passed around from studio to studio - at a time when Marvel weren’t making their own films yet - before reverting back to Marvel Studios, allowing them to incorporate their own character into the Marvel Cinematic Universe at last.

And yes, before you ask, this film is another origin story (at least we weren’t subjected to that once Spider-Man entered the MCU, I guess Marvel came to the conclusion that audiences were well aware of Peter Parker’s transformation by then). But I must say, as a long-time reader of the comics - Spider-Man is by far my favourite Marvel character, and has been since the late 1980s - this is certainly the most accurate origin story of the character. In fact, even the title of the film is testament to that: the first appearance of the character was in The Amazing Spider-Man.

Peter Parker (Andrew Garfield) is a high-school senior in New York. Living in Queens with his Uncle Ben (Martin Sheen) and Aunt May (Sally Field) - since his parents died in a plane crash when he was very young) - he is your average nerd. Terrorised by the school bully, awkward around girls, especially the girl he has admired from afar for years, Gwen Stacy (Emma Stone), the list goes on.

Uncle Ben (Martin Sheen) and Aunt May (Sally Field).

After being bitten by a genetically-enhanced spider, he begins to take on some spider-like qualities, specifically much more acute senses and an ability to climb walls. Yes, I know you probably already know this, but what you may not know is that - as far as the comics are concerned - he never had the ability to shoot webs. Rather, his webs were shot from electronics mounted to his wrists - a fact which this film has accurately portrayed.

Of course, you can’t have a Spider-Man movie without a formidable villain, and this film delivers there, too. Dr. Curtis Connors (Rhys Ifans), a researcher working in Oscorp Tower, who has been trying to crack cross-species genetics for years, comes to a breakthrough (partly with Peter’s help). Any comic readers out there can probably name the villain already. For the rest of you, it’s The Lizard, a half-man, half-lizard creature with super strength and claws that look like they would cause some pretty serious damage.

Peter’s admiration for Dr. Connors, and his hatred for The Lizard, are essentially what creates the majority of the tension in this film. The rest comes from his developing on-again, off-again relationship with Gwen Stacy (once again, they’ve nailed this; Peter’s first girlfriend in the comics was always Gwen, I’ve no idea what possessed the writers of the first Spider-Man movie to make MJ his first love).

I’ll leave the rest of the plot for you to discover for yourself, especially if you haven’t seen the film yet.

Peter Parker/Spider-Man (Andrew Garfield).

The screenplay - by James Vanderbilt and Alvin Sargent and Steve Kloves - is as close to perfect as a comic-book adaptation can be, certainly at the time this film was released. As I have already discussed, many of the events, characters and situations in this film are lifted straight from the pages of the original comics, much more than any other Spider-Man movie had been previously. The characters are all accurate to the books, and with plenty of additional conflicts - internal and external - thrown in to flesh out the film.

James Horner’s score is brilliantly constructed, and perfectly suited to the on-screen action throughout. It is at the same time suitably epic and also sufficiently understated when required. At no point does the music dominate or overshadow the action. As you might expect if you are familiar with Horner’s previous work, the score is exclusively orchestral, and the arrangements are very well realised.

Thanks to the cinematography of John Schwartzman, significant portions of the film look as though they have been lifted straight from the pages of a comic book. There is decent use of light and dark which, while it may not win any major awards, is certainly sufficient for the subject matter.

The performances of the cast are equally decent. While not particularly inspirational at any point, they are certainly well-suited to their respective roles. Garfield is an adequate Peter Parker (though the mantle of the best has since gone to Tom Holland of the MCU), and Stone is by far the best on-screen Gwen Stacy to date.

Gwen Stacy (Emma Stone).

The supporting cast are also adequate enough. In selecting a standout among the supporting cast, I can’t go past Rhys Ifans as Dr. Connors. He brings real heart to the character and, conversely, portrays The Lizard with just the right level of impending threat.

I would certainly recommend this film to fans of Spider-Man, though I suspect finding a fan who hasn’t seen this film yet might prove difficult. I would even recommend this film to anyone who didn’t enjoy the trilogy that preceded it, asking you to give the character another chance.

Director Marc Webb has made an incredible adaptation here, one that would only be outdone by its sequel two years later (which I shall be reviewing in due course).

8 out of 10.

Harry Potter and the Prisoner of Azkaban (2004)

It's time for the next instalment in the Harry Potter franchise, based on the novels of J. K. Rowling following the adventures of the young wizard as he continues to make his way through Hogwarts, the wizarding school.

Harry Potter (Daniel Radcliffe) is back at school for his third year of studies, with his two best friends Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson).

But of course, nothing for Harry is ever easy, and this year, he is a boy in great danger. Notorious criminal Sirius Black (Gary Oldman) has escaped from the wizard prison Azkaban, and is believed to be coming after Harry, whom he blames for the death of his old master, Voldemort. (At least that is how the story appears for most of the film).

Of course, as with every other year, there is a new Defense Against the Dark Arts teacher. This year, it is Remus Lupin (David Thewlis) who, as it turns out, went to school with Harry's parents. He takes a real shining to Harry, and the two become quite close, especially as Harry seems to be showing great aptitude in this class.

There is another new teacher, or rather, a new class that the students are taking. It is Divination, taught by the incredibly eccentric Professor Sybil Trelawney (Emma Thompson).

Even Hagrid (Robbie Coltrane) is a teacher this year, teaching the Care of Magical Creatures class, a class it seems he was born to teach.

In order to protect the students at the school from any attacks by Sirius Black, the guards of Azkaban prison, strange spectral beings called Dementors, have been posted around the grounds to keep watch. But one wonders who they really answer to when they enter the grounds - against the wishes of headmaster Professor Albus Dumbledore (Michael Gambon).

The screenplay, again written by Steve Kloves, who also adapted the first two films in the series, is a relatively decent adaptation of the book on which it is based. A large number of cuts were made, from what some readers feel were significant moments of plot and/or character, but which still seem to work nonetheless. Of course, one must remember that a book and a film are quite separate entities, and any adaptation from one medium to the other is bound to be fraught with difficulty in some parts.

Under the direction of Alfonso Cuarón, this film feels very different from the previous two films. In fact, it feels very different from every other film in the series, and not necessarily in a good way. Cuarón has the students in normal 'Muggle' clothing rather than their traditional wizarding robes, and there are a lot of personal touches he brings to the film that make it feel very 'un-Potter-like', at least as far as all the other films in the series go.

Adding to this different feel is a new actor playing the role of headmaster Albus Dumbledore. Of course, this was a necessity, as Richard Harris, who played the role in the first two films, had tragically passed away before the second film was released (though obviously after it had been filmed). Gambon does his best to bring the role to life, but sadly, I don't think he does it as well as Harris did. For me, Richard Harris will always be Dumbledore, whereas Gambon will only ever be someone who tried to fill those shoes and sadly fell short.

There are some interesting turns of events in the final third of the film, as a time-travel subplot comes into play. As with any film that deals with the very concept of time travel, there are many interesting points that appear earlier in the film and reappear in a different timeline from a different viewpoint and make sense in a different way. This may seem like a very convoluted sentence that doesn't make a lot of sense, but if you've seen the film, you will know what I mean. And if you haven't seen the film, then hopefully it won't spoil it for you.

Aside from the change of director, the majority of the crew are the same as they have been for the previous two films. So, we get a very similar feel from Stuart Craig's production design, that at least tries to tie this into the series, and place it right between parts two and four seamlessly.

John Williams's score has echoes of his previous work on the two earlier films, yet has enough new themes and motifs to be considered a new project. Naturally, as with anything he writes, his score here is perfect.

But I don't think these things alone are enough to redeem this film. Cuarón may be an incredibly gifted director, but in my opinion, his involvement has actually ruined what could have been a much better film in the hands of another director.

6 out of 10.

Harry Potter and the Chamber of Secrets (2002)

The tale of the boy wizard continues in the second film based on J. K. Rowling's best-selling series of books.

Harry Potter (Daniel Radcliffe) is back at Hogwarts School with best friends Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson).

But this year, a new threat lies in wait for the trio. It appears someone has opened the fabled Chamber of Secrets, and released a monster on the school, and several students and staff have become petrified (as in frozen, not as in scared).

The worst thing is, as far as most people are concerned, Harry is the prime suspect. He and his friends must not only clear his name, but also find the real culprit and even - if they can - help those who have been petrified return to their normal state.

It really is wonderful to follow Harry and his friends for their second year of wizarding school. The main trio have grown significantly in their abilities, not just their characters’ abilities, but in their own acting abilities.

Screenwriter Steve Kloves again returns, and has done an incredible job of adapting this, the second book in the series, to the screen. The book does lend itself quite well to a film adaptation, nonetheless Kloves has done an amazing job yet again.

The cast as I mentioned are all fantastic, in particular newcomer to the series Kenneth Branagh as new Defense Against the Dark Arts teacher and egotistical celebrity author Gilderoy Lockhart.

Sadly, this film marked Richard Harris's final performance as headmaster Albus Dumbledore, as he passed away shortly after filming, but before the film's release.

Production designer Stuart Craig returns as well, and again has done a great job bringing Rowling's wizarding world to the screen. Coupled with magnificent visual effects, everything on screen is just perfect, and so reminiscent of the beauty of the books.

Composer John Williams has outdone even himself with the score, expanding on his existing themes from the first film here, and creating something that remains connected to the first film but also stands on its own as a unique entry into the world of cinema.

Chris Columbus, who had also directed the first installment, returns for this one, again bringing a real unity to these first two films, something which wouldn't really happen again in this series until much later. He has a real gift in directing the younger members of the cast, and his love for the source material shines through in every scene.

I really enjoyed watching this again in order to write this review, and will no doubt be watching it again soon.

7 out of 10.

Harry Potter and the Philosopher's Stone (2001)

Based on the worldwide bestseller that started a phenomenon, this film is a true delight, and a joy to review.

Harry Potter (Daniel Radcliffe) lives with his aunt and uncle and cousin. They keep him in the cupboard under the stairs, and mistreat him constantly.

On the evening of his 11th birthday, a strange visitor - a incredibly large man named Hagrid (Robbie Coltrane) - tells Harry that he is a wizard, and he has been accepted to study at Hogwarts School of Witchcraft and Wizardry.

Upon arriving at school, Harry learns there is so much more to his life than he ever knew. Not only does he come from a well-known wizarding family, he himself is famous as “the boy who lived”, the boy who defeated one of the most powerful dark wizards ever - Voldemort, or He Who Must Not Be Named - as a baby.

There is much for Harry to learn in his first year: the rules and gameplay of wizarding sport Quidditch, at which he is a natural of course, dealing with difficult teachers such as Potions master Professor Snape (Alan Rickman), and most importantly, the value of his two closest friends, Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson).

One of the first things I must say about this film is that the casting is absolutely fabulous. This (and indeed the future films in the series) is a veritable ‘who’s who’ of British acting greats. Be it Richard Harris as Dumbledore (later replaced when he sadly passed away after the second film), Maggie Smith as Professor McGonagall, Zoë Wanamaker as Madam Hooch (the flying instructor), or any of the rest of the cast, there are some amazing performances here. (Obviously, I will be reviewing the remaining films in the franchise, keep reading in coming months for those).

Another point I want to make is the quality of the adaptation. Screenwriter Steve Kloves has done an incredible job of translating J. K. Rowling’s novel to the screen. Almost everything that happens in the book happens in the film. It does help that the first book in the series is rather short, and apparently simple (though fans will know by now there was a lot more going on in that book than we knew at the time!), and doesn’t have a lot of complex subplots as later books did.

The score by John Williams is absolutely magical, no pun intended. Of course, any score by John Williams is bound to be good. One only has to look to the later films (and even the later Fantastic Beasts franchise) and hear Williams’s themes and leitmotifs used and re-used to know just how iconic and brilliant they are.

Director Chris Columbus has made a truly magnificent film here. Columbus works especially well with young and/or inexperienced actors, and has been able to bring out the best in his young cast particularly. He would go on to direct the second film in the series as well, before pulling out to make room for other directors, in order to spend more time with his own growing children.

I realise that in the United States, this film was released with the title ‘Harry Potter and the Sorceror’s Stone’, but as any sensible person would realise (particularly by now, with all the books and films finished), the Philosopher’s Stone is an actual verifiable part of alchemical history and a vital element of this book/film and indeed later parts of the series, while the Sorceror’s Stone is nothing, and refers to nothing.

This may not have been the best film in the series, but by being the first, it was our first introduction to Harry Potter and his adventures, and as such, is a very special and important part of the series.

8 1/2 out of 10.