Although it resembles the original in many ways, it is for all intents and purposes a completely new story, including some newly rewritten lyrics to go along with the changes in plot and character.
Firstly, Annie (Quvenzhané Wallis) doesn't have the curly red hair that audiences of the original film will remember. Also, she is no longer an orphan, but lives in a foster home with several other girls and foster mother, Miss Hannigan (Cameron Diaz), who used to be a singer but is now simply an alcoholic who fosters the girls for the money.
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Annie (Quvenzhané Wallis). |
Meanwhile, tech entrepreneur Will Stacks (Jamie Foxx), who runs a cellphone company, is running for Mayor of New York. As he struggles to get ahead in the polls - and after saving Annie from being hit by a car - his advisors decide that perhaps if he were to take Annie in for a time, it might make him more appealing to voters.
He reluctantly agrees, and Annie comes to live with him in his enormous penthouse apartment, where she has a bedroom all to herself that is bigger than Hannigan's entire apartment, and everything she could ever want (except for her parents, of course).
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Miss Hannigan (Cameron Diaz). |
The screenplay, by Will Gluck and Aline Brosh McKenna, is very well written, taking the original story and bringing it into a new century, updating it where necessary. Of course, the changes in the plot also means the songs needed to be updated, too, and new lyrics have been written - by Greg Kurstin, Sia Furler and Will Gluck - for almost every song. These new lyrics keep the essence of the original musical intact, while simply changing relevant words and phrases that the new plot require.
The score, by Greg Kurstin, primarily uses themes and motifs from Strouse's original music to tie the film together as a whole, only occasionally going in a different direction musically by developing new themes.
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Annie (Quvenzhané Wallis) and Will Stacks (Jamie Foxx). |
Director Will Gluck has done well in his attempt to update this musical. The film is incredibly enjoyable, and will still have you tapping your toes and singing along (once you get your head around the new lyrics). I would certainly recommend the film to anyone who enjoyed the 1982 version, but it's certainly not a prerequisite, and new audiences will surely love this film just as much as the original.
7 1/2 out of 10.
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